The idea of taking "six tastes
one at a time, two at a time, three at a time, etc." was written down
correctly in India 300 years before the birth of Christ in a book called
the Bhagabati Sutra, a text from the Jainist
religion; this gives the subcontinent of India the distinction of being
the earliest civilization to have an understanding of the binomial coefficients
in their combinatorial form "n choose k" in a text that
survives to this day.
Prosody, the
study of rhythm and meter in songs and poetry, was the interest of Pingala
(circa 200 B.C.), who called his rule Meru Prastara; instead
of tastes, he was now thinking about six syllables in a poem, which could
be any combination of long and short. While his original text does
not fully survive, surviving commentaries on his work show that he understood
the additive rule. Among the surviving commentaries on the Meru
Prastara are the work of Varahamihara (505 A.D.), which talks
about the additive rule, and Bhattotpala (1068 A.D.) has a table
which correctly lists the number of ways to take two things at a time,
three things at a time, four things at a a time, etc. from sets as big
as sixteen things.
Another Jain mathematician
Mahavira (circa 850 A.D.) writing in Ganita Sara Sangraha
completely generalized the rule found in the Bhagabati Sutra, written
over a millenium previously.
The great Hindu mathematician
Bhaskara (circa 1100 A.D.) repeats Mahavira's work in his Lilavati,
which is more accessible to Western readers, and includes the idea of
multiplicative expansion of a row of the triangle, an idea Edwards could
not find in the Chinese texts which put the numbers in their well-known
triangular form.
Bhaskara's particular interest,
like Pingala's, was prosody. In this context, Bhaskara uses the following
sequence of fractions:
. The idea is this: there is only one way to have six
short syllables; from there, we multiply by 6 to get the number of ways
to do five short and one long, then multiply that result by 5/2
to get the number of ways to to do four short and two long, and continuing
down the line we get the sixth row 1, 6, 15, 20, 20, 15, 6, 1. Bhaskara
also understood the idea of the multinomial coefficient in reference to
arranging digits and/or letters; this was work original to him that did
not appear in Mahavira.
The idea of expansion of a binomial
was not well studied in India, though Brahmagupta (628 A.D.) had
correctly expanded (a+b)3, one level higher than is found
in the surviving work of the great Greek mathematician Euclid. While
Brahmagupta's work is not the greatest achievement of Indian mathematics,
there is evidence that it made its way to Baghdad two centuries later, and
may well be the seed from which the tree of knowledge in the Middle East about the binomial coefficients first
grew.
Jainist religion
The Jains believe in the liberation of the soul by right faith, right
knowledge and right conduct. While their numbers are not as large
as the Hindus or Buddhists, the religion survives to this day and has adherents
around the world.
ProsodyThe problem studied by Pingala
is similar to the long and short clicks used in Morse code; in music from
India, the number of actual beats is counted, instead of thinking about
the number of beats of a certain length, as is used in Western musical
notation such as 4/4 or 6/8. For example, Indian musicians would
categorize the first bar of the 4/4 rock song Louie, Louie as a
six beat pattern, short-short-short-long-short-long, where the beat
in italics indicate a rest. This is continued ad nauseum
or until the band takes a break, whichever comes first.
(The author would like to apologize to the memory of the late Richard
Berry, the songwriter of Louie, Louie, for that last joke. The
author met Mr. Berry over 20 years ago at an all-weekend Louie, Louie
marathon at radio station KFJC in Los Altos Hills, and Mr. Berry was very
gracious indeed.)